[24], The sky hook used to rescue Bond at the end of the film was a rescue system used by the United States military at the time. [32] After adjusting its earnings to 2011 prices, it has made around $1 billion, making it the second-most financially successful Bond film after Skyfall. Barry's scores always included a track which gave the film's theme song a full statement in the form of a sensitive, slowed-down instrumental ballad, often played over a romantic moment or a scene set in a nightclub or casino[citation needed]; he re-arranged "Thunderball" as a lush, subtly jazzy orchestral piece in the easy listening style that was popular at the time. The group quickly flee Disco Volante moments before she is destroyed, whereupon Bond and Domino are retrieved by a plane with the Fulton system. Kiss Kiss Bang Bang | 0 Posts. Suspecting the bombs were brought to the area, Bond and Felix search for the Vulcan and find it camouflaged underwater, along with the body of Angelo. A murder mystery brings together a private eye, a struggling actress, and a thief masquerading as an actor. Peter Lamont had previously visited a RAF bomber station carrying a concealed camera which he used to get close-up shots of secret missiles (those appearing in the film were not actually present). Fiona acquiesces, merely to have him continue with their operation. Variety reported that Thunderball was the number-one money maker of 1966 at the North American box office by a large margin, with a net profit of $26,500,000. [7], Barry teamed up with lyricist Don Black and wrote "Thunderball" in a rush. Much of the film was shot in the Bahamas; Thunderball is widely known for its extensive underwater action scenes which are played out through much of the latter half of the film. The soundtrack was still being recorded when it came time for the album to be released, so the LP only featured twelve tracks from earlier in the film; an expanded edition with six bonus tracks was released for the first time when the album was reissued on Compact Disc on 25 February 2003 as part of the "James Bond Remastered" collection. [26], Thunderball was the third James Bond score composed by John Barry, after From Russia with Love and Goldfinger. The information of medicine and health contained in the site are of a general nature and purpose which is purely informative and for this reason may not replace in any case, the council of a doctor or a qualified entity legally to the profession. Source 1: http://www.keloo.ro/doc/10000_intrebari.pdf Source 2: http://www.jdlavis.com/afterdark/uploaded_images/file/All10,000questions.doc, Web site link of source 1: http://www.keloo.ro/ Web site link of source 2: http://www.jdlavis.com/afterdark/, Author source 1 : www.cartiaz.ro Author source 2 : not indicated on the source document of the above text. This was Barry's third soundtrack for the series. [31] In total, the film has earned $141.2 million worldwide, surpassing the earnings of the three preceding films in the series—easily recouping its $9 million budget—and remained the highest-grossing Bond film until Live and Let Die (1973) assumed the record.

With Giuliano Gemma, George Martin, Lorella De Luca, Nieves Navarro. Before he can defend himself, Lippe is killed by Fiona for nearly jeopardizing Largo's scheme. Nevertheless, director Young cast her once again in his next film, Triple Cross (1966). The producers' decision to change the film's theme song so close to the release date meant that only some of the film's soundtrack had been recorded for release on LP.

[3] Both versions were not released until the 1990s. If I could have just known more than half the time what, precisely, they were doing, the effect could have been prettier yet. While in talks with M on his assignment, Bond requests he be assigned to Nassau, Bahamas, to contact Derval's sister Domino, after recognising Derval from the photo given to the agents in their main briefing as the body he found at the resort. The tune was composed in the key of B-flat minor. Dilys Powell of The Sunday Times remarked after seeing the film that "The cinema was a duller place before 007. He's tall and he's dark And like a shark, he looks for trouble That's why the zero's double Mr. [2] Most of the underwater scenes had to be done at lower tides due to the sharks on the Bahamian coast.[17]. He further concluded his review with praise for the principal actors and wrote "The color is handsome. The most difficult sequences to film were the underwater action scenes; the first to be shot underwater was at a depth of 50 feet to shoot the scene where SPECTRE divers remove the atomic bombs from the sunken Vulcan bomber. It is an adaptation of the 1961 novel of the same name by Ian Fleming, which in turn was based on an original story by Kevin McClory, Jack Whittingham, and Fleming. The original title song was entitled "Mr. [8] Jones said of the final note, "I closed my eyes and I held the note for so long when I opened my eyes the room was spinning. [2] Terence Young, director of the first two Bond films, returned to the series. [27] The title theme was written by Barry and Leslie Bricusse; the song was originally recorded by Shirley Bassey, but it was realized late in the day that the track was too short for the needed titles. [10] The lyrics of Cash's "Thunderball" describe the film's story.[11]. (source: http://en.wikipedia.org/wiki/Fair_use). At the last minute he is given the chance to redeem himself by seizing a secret formula before the notorious terrorist Mr. X can get hold of it. "[37] Variety felt Thunderball was a "tight, exciting melodrama in which novelty of action figures importantly.